Try to make distortion and sibilance (if any) having equal levels in each channel.
Also pay attention to channel differences. If there is unwanted distortion and sibilance, try to fine-tune the anti-skate until it is minimized. When the anti skate is set equal to VTF, it is time to play a few records and listen for unwanted distortion and sibilance.
I did it in a way that even allows me to adjust the bias on-the-fly. Just protect the needle, remove 4 screws, turn the arm to access and remove the magnet with a small plier and re-silicon It to the desired distance.
#Sme tonearm adjust bias anti skate manual
It should be set as specified in the manual for your turntable and cartridge. In fact, It's not that difficult to adjust the anti-skating on Planars 1 and 2. It has wide-range adjustments for tangency, height, static balance, torsional balance, pickup tilt, bias compensation, and tracking force. VTF is adjusted with the counterweight on the end of the tonearm. The 3009 (with 9 pivot-to-stylus distance) is the arm we recommend for the home user, and it shares with the 3012 the distinction of being the most versatile conventional-type tonearm on the market today.
#Sme tonearm adjust bias anti skate how to
How to adjust anti-skate?Īdjusting anti-skate is usually a two-step process.įirst, set the anti-skate equal to the vertical tracking force (VTF). As you see on the picture below, there is no knob to adjust anti-skate. The strong die-cast headshell is bonded to the main arm tube using advanced. Features include precision bearings, accurate static tracking and precision-spring bias adjustment. My Rega Planar 2, on the other hand, does not have adjustable anti-skate. The Linn Akito tonearm, now in its latest 2B guise, incorporates technologies developed for Linn’s class-leading high-performance tonearms. As you can see, it has a knob to adjust anti-skate. Anti-skate control adjusted by calibrated dial in the range 0-5 gram Tone arm height, and thereby VTA, is easy adjustable on the tonearm base. The picture below shows the tonearm on my AT-LP120USB turntable. On other turntables, the anti-skate is fixed and not adjustable. Of course - the relationship between tracking force and anti-skate is very unclear. On some turntables, it is necessary to manually adjust the anti-skate. When anti-skate is set correct, the stylus will stay centered in the record grooves, read both channels with equal levels and generally make the turntable sound as good as it should. The force that balance out the skating force is called anti-skate.Īnti-skate force is produced by the tonearm. If not balanced out, this skating force will make the stylus push harder on the inner side of the grooves, resulting in channel unbalance, distortion and potentially skipping. When a record is played, there is created a small force that gently pulls the tonearm towards the center of the record.
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